IGNACY ZALEWSKI „MISSA SINE NOMINE”

SPEKTAKL – KANTATA

zamówienie festiwalu KODY* / premiera

 

reżyseria: Jerzy Machowski

 

Wykonawcy:

 

Leszek Lorent – instrumenty perkusyjne

Łukasz Hodor – puzon

Dariusz Plichta – puzon

Jacek Namysłowski – puzon

Michał Tomaszczyk – puzon

 

CHÓR KAMERALNY VARSOVIAE REGII CANTORES

Joanna Maluga – dyrygent

PIOTR TABAKIERNIK „MONACHOMACHIA”

TEATR MUZYCZNY

zamówienie festiwalu KODY* / premiera

 

scenariusz: Igor Gorzkowski, Piotr Tabakiernik

reżyseria: Igor Gorzkowski

scenografia i kostiumy: Joanna Walisiak

 

Wykonawcy:

 

Grzegorz Kwas, Andrzej Mastalerz, Sławomir Pacek – aktorzy

Olga Siemieńczuk – sopran

Dorota Stawarska – klawesyn

 

CHÓR KAMERALNY VARSOVIAE REGII CANTORES

Joanna Maluga – przygotowanie chóru

 

Polish premiere of the “Horses in the sky” Kibbutz Contemporary Dance Theatre. “Horses in the Sky: A breathtaking dance performance… Rami Be’er has created a dizzying dance performance, and brings out the best from Kibbutz Contemporary Dance Company… Highly recommended to see it even more than once… take a moment to rest, and then go and see Horses in the Sky again…” - Time Out

Retrospektywna wystawa prezentująca dokonania jednego z najwybitniejszych twórców w historii polskiego teatru, wieloletniego naczelnego scenografa Teatru Wielkiego w Warszawie, autora dekoracji i kostiumów do niezliczonych realizacji operowych, a także cenionego malarza. Ekspozycja przygotowana wspólnie z Teatrem Wielkim – Operą Narodową prezentuje dokonania artysty, który współpracował z największymi scenami teatralnymi świata, m.in. z Covent Garden w Londynie, Staatsoper w Wiedniu i Operą Paryską. Jego wychowankiem jest również znakomity scenograf Boris Kudlička.

Set design to Kumernis, Or How the Holy Lady Grew a Beard is one of the most stunning examples of set designs by Agata Duda-Gracz who is one of the best Polish directors. The daughter of a famous painter creates theatre productions in which image dominates. Agata Duda-Gracz is both author of scenography and costumes. Kumernis, Or How the Holy Lady Grew a Beard is an extremely emotional and, at the same time, brave play. It represents a contemporary and demanding theatre, which gives a lot in return. Starring Magdalena Kumorek, known to a wider audience for her performance in Polish series Przepis na życie, and Cezary Łukaszewicz, known for his appearance in Aż po sufit, a TV series, plays her love interest.

“Stage under Construction”, a name for a new event produced by the Centre for the Meeting of Cultures in Lublin, is not a coincidence. “Theatre Under Construction” was a common name for the institution that has been built for over 40 years. Today, the architectural severity of the Centre for the Meeting of Cultures in Lublin highlights the endless process of its construction. This is an open space that stimulates and inspires to create new stage arrangements. Scenography is an arena around which thoughts, conceptions and ideas of the creators of the play accumulate and collide. This is how we think about the Centre for the Meeting of Cultures in Lublin; its ascetic interiors are like an invitation to create. Inside the building everything is uncovered and unadorned – spaces are glazed, walls are not plastered, installation elements are not covered. This is the way we would like to construct the programme of the “Stage Under Construction”. We want to show to people things that are usually hidden, i.e., the work of set designers, costume designers – the very backstage act of creating a theatre play.

Spectacular dance theatre play. This unique combination of choreography, music, multimedia and poetry creates an exceptional mystery of dance. Using Tadeusz Różewicz’s poems, theatre artists create an intimate story about childhood, trauma and art that has a therapeutic and expiatory role. Lament is the last play by Ewa Wycichowska, a choreographer who was a long-time director of Polish Dance Theatre.